The Impossible Collection
Curator: Aneta Szyłak
Assistant curator and coordinator: Roma Piotrowska
Opening: 1 August 2008 at 7pm
The exhibition will be open until 4 September 2008
Opening hours: from 2 August to 4 September 2008, from Tuesdays to Sundays 12.00 – 18.00
The exhibition is based on the outcomes of the networking meeting and workshop The Impossible Collection: Curator as Translator: Where have all the workers gone … When will we ever learn?
Densification is the word which best shows the way in which the project is located within the concept of a collection and its presentation. It is not scrupulousness, regularity, archivability, predictability or a defined way of looking that plays a role here but subjectivity, openness, potentiality, heterogeneity and ambiguity. This is the second version of this project, which last autumn took on the form of curatorial workshops, an exhibition of the “Mobile Archive” from the Digital Art Lab in Holon and Elzbieta Jablonska’s performance “Kitchen”.
“The Impossible Collection” is an exhibition of the collection of the Wyspa Progress Foundation, translated, transferred, taken to impossibility. A collection usually constitutes one of the traps of the institutional format. Its exhibition often builds definitions, generates unambiguity, systemises permissible meanings. “The Impossible Collection” is an expression of resistance, a call for the variability and modality of the way of exhibiting and viewing and an appeal for an active viewer who will give it new life.
“The Impossible Collection” is a series of forms of accumulation, a set of works from collections, archive materials and books. It is also a series of interventions and ephemeral events planned by the Wyspa curators and invited guests. This is not an exhibition of the “best in the collection” type but an attempt to provoke new readings of the very phenomenon of collecting and to build minimal, ephemeral, individual meanings between works and collections.
It also recalls the earlier realised projects of the Wyspa Art Institute and their influence on the thickening of the material and notional communications of institutions.
“Translate” opens the spaces of the inadequacy and lack of significance, accumulates meanings and possibilities. The narrations of artists, the narration of the institution, the narrations of curators and the tales of the invited guests become entwined in a complicated palimpsest in which the space of the gallery changes roles with the space of the store-room, the office, the workshop.
The Wyspa Progress Foundation has been collecting artists’ works since 1995 and its first spectacular presentation, entitled “A Collection of Contemporary Art on the Occasion of Gdansk’s Millennium”, took place in 1997. Since that time, the collection has grown thanks to donations from artists, without public support and outside the system of regional collections of contemporary art. This is also another dimension of its “impossibility”.
Artists in the collection: Fanny Adler, AZORRO, Jarosław Bartołowicz, Bogna Burska, Centreal, Maureen Connor, Stanisław Drożdż, Roman Dziadkiewicz, Adam Garnek, Katarzyna Gorna, Izabela Gustowska, Elżbieta Jablonska, Piotr Jaros, Hiwa K., Robert Kaja, Kijewski & Kocur, Grzegorz Klaman, Tomasz Kopcewicz, Jarosław Kozakiewicz, Dominika Krechowicz, Kamil Kuskowski, Leszek Lewandowski, Zbigniew Libera, Rene Lück, Jarosław Modzelewski, Dorota Nieznalska, Ewa Partum, Joanna Rajkowska, Roland Schefferski, Allan Sekula, Janek Simon, Dominika Skutnik, Marek Sobczyk, Andrzej Syska, Michał Szlaga, Grzegorz Sztwiertnia, Twozywo, Ania Witkowska, Adam Witkowski, Krzysztof Wroblewski, Artur Zmijewski.
The networking meeting and workshop The Impossible Collection: Curator as Translator: Where have all the workers gone … When will we ever learn? takes place in connection with the following events:
30 August 2008, 6 pm
Nina Möntman will lecture On how to belong to your Art. Institution. Art Institutions in a Situation of changed Public Interest.
29 August 2008, 6 pm
Livia Paldi „Balázs Béla Studio” a lecture dealing with the issues of integrating this specific archive-collection into the Kunsthalle Budapest and its programmes, as well as about the questions of presenting it, and its cultural-political history in the form of an exhibition.
for further reading see also: